It looks like a new sailboat or certainly new to those managing its careful mooring. They were very excited securing this boat after getting ashore. This watercolor is from a sketch that I did on Cape Cod last summer. With the start of summer near, I am getting ready to move to my little cottage on the Cape and sketch and paint some landscapes. Cape Cod has fantastic light that makes things jump out. Everyone comments on this and it is true. It must be from the land surrounded by water. A lot of artists work on the cape. Summers are hot and humid but the ocean is always close. Plenty of seafood is available and on Wednesdays and Saturdays, I join up with my friend, John, and go clamming at low morning tide. This is the life.
Sunday, May 29, 2011
Secure in the Slip
It looks like a new sailboat or certainly new to those managing its careful mooring. They were very excited securing this boat after getting ashore. This watercolor is from a sketch that I did on Cape Cod last summer. With the start of summer near, I am getting ready to move to my little cottage on the Cape and sketch and paint some landscapes. Cape Cod has fantastic light that makes things jump out. Everyone comments on this and it is true. It must be from the land surrounded by water. A lot of artists work on the cape. Summers are hot and humid but the ocean is always close. Plenty of seafood is available and on Wednesdays and Saturdays, I join up with my friend, John, and go clamming at low morning tide. This is the life.
Labels:
Cape Cod,
Life on Cape Cod,
Painting on Cape Cod,
Sailboats
Saturday, May 28, 2011
Waitng for the 9:19
I really value the time painting and teaching my group. During these sessions, I don't take the time to carefully paint, but I just let it go and try lots of things. I like to save time for some individual help and critique. The time goes quickly.
Labels:
Davis CA,
Train Station,
Watercolor group painting
Monday, May 23, 2011
Napa Valley Farms
It was too windy to paint outside so we talked and then painted.
Labels:
CA.,
fences,
Napa Valley,
rural landscape
Monday, May 16, 2011
Davis Train Station
It was sunny and about 80 degrees and I had to get out and paint. I wound up at a favorite site, the old Southern Pacific train depot in Davis. This is a busy place with students and teachers coming and going. At this time it was very quiet. The station has undergone remodeling over the years.
I did all of my color mixing on paper, direct glazing. It is much more juicy when done this way. I try new colors and try them on the paper. It would be better to try them on a scrap piece of watercolor paper before, but I have not done that. I can usually remove or add color so that it approaches what I want.
Labels:
Davis CA,
direct watercolor glazing,
trains station
Sunday, May 15, 2011
On the Davis Greenbelt
I stressed that it was not necessary or wise to paint the exact scene but to edit and use the things they like. Then, do some thumbnail sketches stressing value and composition. They are 75% done at that point and need to put it on watercolor paper with paint. Most were not finished and will complete at home and bring it in for critique next week. It is fun.
Saturday, May 14, 2011
The Road over the Hill to Leo's
The road keeps climbing and you have to know where to go. It is a very colorful place. I sit across the canal and under the tree to sketch and paint. Without the shade it would be nearly impossible to stay very long.
Friday, May 13, 2011
Painting Watercolor Abstracts
Want to have some fun? I've envied abstract painters since taking up art. I just never tried it and this past week ran across a book by Rolina Van Vliet, 'Painting Abstracts, ideas, projects and techniques'. What fun trying the exercises. They are planned for acrylic paints but still fun with watercolor. Lots of ideas to try with geometric or small size color spots, high key color or one I call 'Totally out of control".
Thursday, May 5, 2011
Plein Air Painting on San Francisco Bay
I visited a lot of art galleries while away and saw the American Watercolor Society show. The latter is always a treat because it is my media. I object to the selection of recurrent theme paintings. These were great ideas the first time done and selected, but to keep selecting new versions of the same subject by the same artist in the show eliminates new works by others. I have a fascination with abstract modern art. I think that it is art to new level and takes me awhile to take it in. There was plenty to see in New York City.
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